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FACTORY CLUB 1978 Big In Japan DURUTTI COLUMN Handbill TONY WILSON COLLECTION

$ 198

Availability: 100 in stock
  • Refund will be given as: Money Back
  • All returns accepted: Returns Accepted
  • Restocking Fee: No
  • Item must be returned within: 30 Days
  • Return shipping will be paid by: Buyer

    Description

    A very rare handbill advertising Big in Japan and Manicured Noise at Manchester’s Factory Club, on May 26, 1978; from the archive of Factory Records co-founder Tony Wilson.
    This show was promoted by ‘The Movement of 24
    th
    of January’, a short-lived name used by Tony Wilson and Alan Erasmus, soon to found Factory Records and sign Joy Division, Durutti Column and many other iconic bands.
    Tony Wilson, then a TV presenter on Granada TV, had joined friend Alan Erasmus in managing the Durutti Column, and the two convinced the owner of the Russell Club in Hulme to allow them to book bands on a few Friday nights.  While walking around Manchester, Erasmus saw a sign reading “Factory closing” and said “Let’s call the club The Factory, because we can have a factory opening instead of a factory closing.  This show was the second Factory Night at the Russell Club.
    While the handbill is headlined “Who’s this durutti column? They sure are good!” we can find no documentation that the group appeared that night.  It’s possible they did, or that Wilson was just using this handbill as an opportunity to get their name out.
    This show is one of four Factory shows advertised on Peter Saville’s celebrated “Use Hearing Protection” poster (FAC 1.)
    The handbill was designed by Tony Wilson, and incorporates the silent movie vampire Nosferatu and a Situationist International cowboy.  Joy Division biographer and Wilson friend Jon Savage notes
    Tony Wilson was fascinated by the Situationist International as early as the late 1960s.  This one is one of the very first Factory flyers.
    We acquired this handbill directly from Tony Wilson’s family.  It has been stored at Manchester’s Museum of Science + Industry since Wilson’s 2007 death, and is in mint condition.  8 ¼” x 11 ¾” (A4), printed on thin stock.
    Included is a letter of authenticity from the archivist of The Tony Wilson Archive reflecting its extraordinary provenance, and Recordmecca’s written lifetime guarantee of authenticity.
    (Note: Big in Japan featured Holly Johnson, later of Frankie Goes to Hollywood, Bill Drummond of the KLF, and Budgie of Siouxie & the Banshees.)
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